House of Unending by Reginald Dwayne Betts | Poetry Magazine (2024)

1

The sinner’s bouquet, house of shredded & torn

Dear John letters, upended grave of names, moon

Black kiss of a pistol’s flat side, time blueborn

& threaded into a curse, Lazarus of hustlers, the picayune

Spinning into beatdown; breath of a thief stilled

By fluorescent lights, a system of 40 blocks,

Empty vials, a hand full of purple cranesbills,

Memories of crates suspended from stairs, tied in knots

Around streetlamps, the house of unending push-ups,

Wheelbarrows & walking 20s, the daughters

Chasing their fathers’ shadows, sons that upset

The wind with their secrets, the paraphrase of fractured,

Scarred wings flying through smoke, each wild hour

Of lockdown, hunger time & the blackened flower.

2

Of lockdown, hunger time & the blackened flower —

Ain’t nothing worth knowing. Prison becomes home;

The cell: a catacomb that cages and the metronome

Tracking the years that eclipse you. History authors

Your death, throws you into that din of lost hours.

Your mother blames it all on your X chromosome,

Blames it on something in the blood, a Styrofoam

Cup filled with whiskey leading you to court disfavor,

To become drunk on count-time & chow-call logic.

There is no name for this thing that you’ve become:

Convict, hostage, inmate, lifer, yardbird, all fail.

If you can’t be free, be a mystery. An amnesic.

Anything. But avoid succumbing to the humdrum:

Swallowing a bullet or even just choosing to inhale.

3

Swallowing a bullet or even just choosing to inhale,

Both mark you: pistol or the blunt to the head

Escorting you through the night. Your Yale—

An omen, the memories, the depression, the dead

And how things keep getting in the way of things.

When he asked you for the pistol, and you said no,

The reluctance wasn’t about what violence brings.

His weeping in your ear made you regret what you owed.

On some days, the hard ones, you curse the phone,

The people calling collect, reaching out, all buried,

Surrounded by bricks. On some days, you’ve known

You wouldn’t answer, the blinking numbers as varied

As the names of the prisons holding on to those lives,

Holding on, ensuring that nothing survives.

4

Holding on, ensuring that nothing survives,

Not even regret. That’s the thing that gets you,

Holding on to memories like they’re your archives,

Like they’re there to tell you something true

About what happened. My past put a skew

On how I held her. Unaccustomed to touch,

I knew only dream & fantasy. Try to see through

That mire and find intimacy. It was just so much.

& then, the yesterdays just become yesterday,

A story that you tell yourself about not dying,

Another thing, when it’s mentioned, to downplay.

That’s what me and that woman did, trying

To love each other. What kind of fool am I,

Lost in what’s gone, reinventing myself with lies.

5

Lost in what’s gone, reinventing myself with lies:

I walk these streets, ruined by what I’d hide.

Jesus died for somebody’s sins, but not mine.

I barely see my daughters at all these days.

Out here caught up, lost in an old cliché.

But tell me, what won’t these felonies betray?

Did a stretch in prison to be released to a cell.

Returned to a freedom penned by Orwell.

My noon temptation is now the Metro’s third rail.

In my wallet, I carry around my daguerreotype,

A mugshot, no smiles, my name a tithe.

What must I pay for being this stereotype?

The pistols I carried into the night, my anchor;

The crimes that unraveled me, my banner.

6

The crimes that unraveled me—my banner.

Only a fool confesses to owning that fact.

Honesty a sinkhole; the truth doomed to subtract

Everything but prayer, turn my breath into failure.

Whiskey after prison made me crave amber,

Brown washing my glass until I’m smacked.

The murder of crows on my arm an artifact

Of freedom: what outlasts even the jailor.

Alas, there is no baptism for me tonight.

No water to drown all these memories.

The rooms in my head keep secrets that indict

Me still; my chorus of unspoken larcenies.

You carry that knowledge into your twilight,

& live without regret for your guilty pleas.

7

& live without regret for your guilty pleas—

sh*t. Mornings I rise twice: once for a count

That will not come & later with the city’s

Wild birds, who find freedom without counsel.

I left prison with debts no honest man could pay.

Walked out imaging I’d lapped my troubles,

but a girl once said no to my closed ears, dismayed

that I didn’t pause. Remorse can’t calm those evils.

I’ve lost myself in some kind of algebra

That turns my life into an equation that zeroes

Out, regardless of my efforts. Algophobia

Means to fear pain. I still fear who knows

All I’ve done. Why regret this thing I’ve worn?

The sinner’s bouquet; house, shredded & torn.

House of Unending by Reginald Dwayne Betts | Poetry Magazine (2024)

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